Thilo Prothmann

Germany, late 90s: Johanna is an intern at a local newspaper and is struggling with the death of her grandmother. In addition to her grief, she is burdened by conflict with her family after she angrily confronts her uncle, who is only interested in his inheritance, at the funeral. She seeks balance by throwing herself headlong into her work. In the process, she comes across an old photograph of a concentration camp guard named Anneliese Deckert. With this find, she hopes to advance her journalistic career: Johanna tracks down the now 80-year-old, but does not expect to meet her entire family on the spot, nor does she expect the fuss the photo causes.

What a curious plan of Lya. Putting sleeping pills in the morning tea of her father. Pulling the sleeping wheelchair user to the vegetable store of her brother and attending secretly the acting exam. And all this only because Lya thinks that eight years of caring for her father where enough tribute to the family.

Im auf einer wahren Geschichte beruhenden deutschen Drama Vollmond erlebt die junge Lara Wildner (Elzemarieke de Vos) etwas Traumatisches und verhält sich daraufhin ihrer Umwelt gegenüber abweisend und beleidigend.

Nach Jahren erfolglosen Schriftverkehrs mit einem öffentlich-rechtlichen Fernsehsender wegen seines Filmprojekts "Orangenhain" nimmt der Drehbuchautor Conrad Weitzmann das Heft in die Hand und entführt kurzerhand den für Kinofilme zuständigen Redakteur. Gemeinsam mit seinem Vater zwingt er den Fernsehmann zur gemeinsamen Drehbuchüberarbeitung - mit zunehmend brutalen Methoden.